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Carlo Zanni (La Spezia, 1975) is an Italian conceptual artist with a distinctive approach in which painting and digital art engage in an ongoing dialogue. A pioneer in the use of third-party Internet data, since 1999 his practice has explored the public space of the web creating time-based ephemeral works that combine a pronounced social consciousness with a primary focus on privacy, identity, and the self. As a painter, his recent work engages with the checkout pages of e-commerce platforms, reimagined as political spaces to witness the uncertainty of our time.
\nZanni has been the recipient of a Rhizome.org commission and he has shown in galleries and museums worldwide including: GBE at Passerby, New York; National Taiwan Museum of Fine Arts, Taiwan; Arts Santa M\u00f2nica, Barcelona; Hammer Museum, Los Angeles; banquet gallery and Mars\u00e8lleria, Milan; Tent, Rotterdam; MAXXI, Rome; MoMA PS1, New York; Borusan Center, Istanbul; PERFORMA 09, NY and ICA, London.
\nCarlo Zanni is the author of the book \u201cArt in the Age of the Cloud\u201d, and recently he has been invited to introduce his practice at the 10th edition of \u201cTalking Galleries\u201d in Barcelona. His work appears in more than 50 books and catalogs, as well as in hundreds of articles and interviews online.<\/p>\n
FB<\/a>\u00a0FB<\/a>\u00a0IG<\/a><\/p>\n 2024 Warsaw, PL, Lookout Gallery,\u00a0ViBo: Koh-i-N\u221er 2015<\/strong> 2014 Milan, IT, Mars\u00e8lleria, Oroboro<\/p>\n 2013 2011 2009 Rome, IT, Lorcan O’Neill<\/p>\n New York, NY, Chelsea Art Museum, Carlo Zanni: Flying False Colors<\/p>\n Naples, IT, Annarumma404 Naples\/Milan, Carlo Zanni<\/p>\n Los Angeles, CA, Sandroni.Rey Gallery, Sandroni.Rey\/Container<\/p>\n 2008 Padua, IT, Fondazione March, “When The Class Is Boring I Go To The Bathroom” (Project Room)<\/p>\n 2007 Ahlen, DE, Kunstmuseum, part of Nodes by Matthias Wei\u00df<\/p>\n 2005 .<\/p>\n 2026 Sofia, Bulgaria, NAA – Academy Gallery, DA Fest<\/p>\n 2019 NAA – Academy Gallery, Sofia, Bulgaria<\/p>\n Seoul, SeMA (Seoul Museum of Art, South Korea), WEB-RETRO, online archive.<\/p>\n Modena, Gallerie delle statue, Sotto lo sguardo austero dei giganti, curated by Luca Panaro<\/p>\n 2018<\/strong> Brussels, La Raffinerie, Refresh 02#LAYERS, curated by Fabio Paris<\/p>\n Taiwan, National Taiwan Museum of Fine Arts, Lost in the Net Dream,\u00a0curated by Yu Chuan Tseng<\/p>\n Milan, Mars\u00e8ll Paradise. Art in the Age of the Cloud, book launch and showcase.<\/p>\n 2017<\/strong> 2016 Barcelona, ES, Arts Santa M\u00f2nica, Real Time, Art en temps real curated by Pau Waelder<\/p>\n 2015 Prague,CZ, Contain[ERA]\u00a0Expo<\/span><\/p>\n Toronto, CA, Trinity Square Video, PV5 Tour<\/p>\n Ottawa, CA, Galerie Saw Gallery, PV5 Tour<\/p>\n Zagreb, Croatia, Maxartfest, Contemporary Art Festival, PV5 Tour<\/p>\n Stockholm, SW, Finnish Swedish Institute, PV5 Tour<\/p>\n Turku,\u00a0FI, New Performance Turku Festival, PV5 Tour<\/p>\n Helsinki, FI, MUU Gallery, PV5 Tour<\/p>\n Berlin, Germany, PV5 Tour, Kunst Am Spreeknie, Sch\u00f6neweide Art Festival<\/p>\n Miami, USA, PV5 Tour, MoCA N. – MUSEUM OF CONTEMPORARY ART MoCA N, Miami Performance International Festival ’15<\/p>\n Riga, Latvia, Ka\u0146epes Kult\u016bras centrs,\u00a0PV5 Tour at\u00a0Urban Poetry Festival<\/p>\n Athens, Greece, Snehta Residency,\u00a0PV5 Tour<\/p>\n Seattle, US, control \/ shift \/ escape at Black Box 2.0 curated by Anne Couillaud and Julia Fryett<\/p>\n Milano, IT,\u00a0[.BOX] Videoart project space, PV5 Tour, produced by MUU Helsinki<\/p>\n Murcia, ES,\u00a0Media Art Futures,\u00a0Data Cinema,\u00a0curated by Pau Waelder<\/p>\n The Hague, NL, Stichting Ruimtevaart, \u00a0Performance Voyage 5 World Tour (PV5), produced by MUU Helsinki<\/p>\n New York, NY, Bronx Art Space,\u00a0Synthetic Zero curated by Mitsu Hadeishi<\/span><\/p>\n 2014 Berlin, DE, Naherholung Sternchen, Directors Lounge, Digital Storytelling | arts and informatics<\/p>\n 2013 Berlin, DE, Team Titanic,\u00a0NEVER ODD OR EVEN | PALINDROME<\/p>\n Berlin, DE, Naherholung Sternchen, The 9th International Directors Lounge, Urban Research Program curated by Klaus W. Eisenlohr<\/p>\n New York, NY Sheila C. Johnson Design Center at Parsons, THE PUBLIC PRIVATE, curated by Christiane Paul<\/p>\n 2012<\/strong> Pasadena, USA, Armory Center for the Arts, MIA @ Art Night Pasadena Curated by Alanna Simone<\/p>\n Sao Paulo, Brazil, Art Gallery of SESI at FIESP \u2013 Ruth Cardoso Cultural Center, FILE 2012<\/p>\n Bologna, IT, BT’F Gallery, IN THE MEANWHILE, curated by Elena Abbiatici & Valentina Gioia Levy<\/p>\n Zagreb, Croatia, Museum of Contemporary Art, Video Vortex\u00a0#8\u00a0 selected by Christiane Paul<\/p>\n Rome, IT, MAXXI – MAXXI B.A.S.E., GAP Generazioni a confronto by Micol Di Veroli e Giovanna Sarno.<\/p>\n 2011<\/strong> Belfort, France, Espace Multimedia Gantner, We Can Be Heroes Curated by Margherita Balzerani<\/p>\n Phoenix (AZ) USA, ModifiedArts, Source Code<\/p>\n Rome, Villa Borghese,”PLAY \u2013 Giochi di ruolo”, curated by C16, IED Master in curating thesis. Selected by Sabrina Zimei<\/p>\n Palma de Mallorca, ES, Es Baluard museum, Extimacy curated by Pau Waelder<\/p>\n Trinidad, National Museum and Art Gallery, WE THE ARTISTS curated by Nicollette Ramirez<\/p>\n 2010 Geneva, Switzerland, Analix Forever Gallery, Carte Blanche, curated by Michele Robecchi<\/p>\n M\u00e9rida, Venezuela, La Bienal Internacional de Arte Contempor\u00e1neo, ULA-2010 organized by Yucef Merhi<\/p>\n New York, The Big Screen Project, Feature I, curated by Aktionsart<\/p>\n New York, CREON gallery, MEMORY LEAKS curated by Monica Espinel<\/p>\n New York, White Box, Sanctioned Array curated by Specify Others<\/p>\n Carrara, IT, PREDICTON curated by Martina Angelotti, Antonio Grulli ed Emanuele Guidi<\/p>\n London,UK, Science Museum, Psychoanalysis: The Unconscious in Everyday Life, curated by Caterina Albano<\/p>\n Roma, IT, MACRO Testaccio, FotoGrafia Festival Internazionale di Roma, Nona Edizione, FUTURSPECTIVES, invited by Valentina Tanni Basel,<\/p>\n Switzerland, [plug.in] – Kunst und neue Medien, Beam Me Up<\/p>\n 2009<\/strong> New York, NY, White Box, PERFORMA 09 biennial of new visual art performance, Pandora’s Soundbox curated by Lara Pan<\/p>\n Tenerife, ES, Espacio Enter @ TEA Tenerife Espacio de las Artes, The Italian Sight, curated by Laura Barreca<\/p>\n Art Vilnius 09, with Elaine Levy Project, curated by Lara Pan<\/p>\n Madrid, Rencontres Internationales Paris\/Berlin\/Madrid, New cinema and contemporary art<\/p>\n New York, NY, Migrating Forms, Anthology Film Archives<\/p>\n Los Angeles, CA, Hammer Museum, “They Always Say That Time Changes Things, But You Actually Have to Change Them Yourself”<\/p>\n Rotterdam, NE, TENT, Aspect Ratio by Edwin Carels, part of IFFR<\/p>\n Amsterdam, NE, Meneer de Wit, Multipistes (Book)<\/p>\n 2008<\/strong> Paris, Rencontres Internationales Paris\/Berlin\/Madrid, New cinema and contemporary art<\/p>\n Milan, IT, Spazio Oberdan, INVIDEO (Catalogue)<\/p>\n Noisiel, FR, Centre d’art La Ferme du Buisson, Zapping Unit by Keren Detton and Marie Auvity<\/p>\n Venice, IT, San Servolo, ZOOM_inside the human space by Raffaele Gavarro (Catalogue)<\/p>\n New York, NY, Anna Kustera, THE WORLD’S SMALLEST ART FAIR, with Annarumma404 Naples\/Milan (IT) and SKL Gallery, Mallorca (ES)<\/p>\n Philadelphia, PA, The Leonard Pearlstein Gallery, Drexel University, Film Screening, “8bit” by Marcin Ramocki<\/p>\n Melbourne, AU, ACMI Australian Centre for the Moving Image, Film Screening, “8bit” by Marcin Ramocki<\/p>\n Hamburg, DE, Deichtor Center, Metalandscapes by Pau Waelder Laso<\/p>\n Brussels, BE, iMAL, Center for Digital Cultures and Technology, “Holy Fire: Art of the Digital Age” by Yves Bernard and Domenico Quaranta (Catalogue)<\/p>\n Milano, IT, Annarumma404 gallery, “Out of Nothing – Omaggio a Baruchello”<\/p>\n Baltimore, MD, MICA – Maryland Institute College of Art, “sight.sound [interaction] 2.0” by R. Jason Sloan<\/p>\n 2007<\/strong> Palma de Mallorca, ES, Pilar and Joan Mir\u00f3 Foundation, Metalandscapes by Pau Waelder Laso (Catalogue)<\/p>\n Brooklyn, NY, Galapagos Art Space, VERTICES, selections of short works by Vertexlist<\/p>\n New York, NY, MoMA Museum of Modern Art, Film Screening, “8bit” by Marcin Ramocki<\/p>\n Berlin, DE, Kino Babylon Berlin Mitte, FiarPlay2007 Film & Video Award 4th edition<\/p>\n New York, NY, Anna Kustera, “The Black Market” by Stuart Semple and Ju$t Another Rich Kid<\/p>\n Rome, IT, MAXXI – Museum, “Apocalittici e Integrati” by Paolo Colombo (Catalogue)<\/p>\n Milano, IT, MIART art fair, “In Attesa Di Giudizio” by Milovan Farronato, Francesca Pasini and Michele Robecchi (Catalogue)<\/p>\n New York, NY, EFA The Elizabeth Foundation for the Arts, “Meme: Romanticism” by Michele Thursz<\/p>\n Pittsburgh, PA , Wood Street Galleries, “Thread” by Michele Thursz (Catalogue)<\/p>\n Columbus, Ohio, Wexner Center for The Arts, Film Screening, “8bit” by Marcin Ramocki<\/p>\n 2006<\/strong> Miami, FL, “M * A * S * H” by David Hunt and Michael Sellinger (part of “‘art loves design”)<\/p>\n New York, NY, MoMA Museum of Modern Art, Film Screening, “8bit” by Marcin Ramocki<\/p>\n Monza, IT, Galleria Civica, GameScapes. Videogame Landscapes and Cities in the Works of Five International Artists<\/p>\n Locarno, Switzerland, La Rada, Wireless, curated by N. Stolz and F. Naldi in partnership with Locarno International Film Festival<\/p>\n Rome, IT, MAXXI – Museo nazionale delle arti del XXI secolo, Net Archives curated by Elena Giulia Rossi and Eleonora De Filippis<\/p>\n 2005<\/strong> Brooklyn, NY, Vertexlist, Code Residue<\/p>\n Trento, IT, Galleria Civica, Interessi Zero \/ Zero Interest, curated by PierLuigi Sacco e Marco Senaldi. (Catalogue)<\/p>\n New York, NY, Gavin Brown’s Enterprise at Passerby, Culturecounter, organized by Fernanda Arruda and Michael Clifton<\/p>\n 2004<\/strong> New York, NY, Exitart, Public.EXE, with Yucef Merhi’s MACCSI Biennial project, curated by Michele Thursz and Anne Ellegood<\/p>\n New York, NY, The Thing, eBay Landscape<\/p>\n New York, NY, Pace University, Digital Gallery, EBay: Buy or Sell or Buy (Catalogue)<\/p>\n Caracas, Venezuela, MACCSI – Museo de Arte Contempor\u00e1neo, VI Sal\u00f3n Pirelli de J\u00f3venes Artistas Digitales<\/p>\n 2003<\/strong> Switzerland, Analix Forever Gallery – Cadrage<\/p>\n New York, NY, Turbulence.org – ICONography – curated by Patrick Lichty<\/p>\n Istanbul, TR, Borusan Center for Culture and Arts, -Copy it. Steal it. Share it.- curated by Anne Barlow and Michele Thursz (Catalogue)<\/p>\n Merida, Mexico, MACAY – Museum of Contemporary Art of Yucatan – InteractivA’03 – A Biennale of New Media and Electronic Arts<\/p>\n 2002<\/strong> Montreal, Canada, 3rd Biennale de Montr\u00e9al, Centre International d’art Contemporain<\/p>\n Geneva, Switzerland, Analix Forever Gallery – Italian Boys – curated by Analix and Stefano Arienti<\/p>\n New York, NY, BitForms Gallery – Prints and Chips, curated by Michele Thursz<\/p>\n Chicago, IL, Museum of Contemporary Art – Version>2<\/p>\n 2001<\/strong> New York, NY, Deitch Projects, “Biennale.net” curated by Miltos Manetas<\/p>\n Tirana, Albania, Ist Tirana Biennial National Gallery and Chinese Pavilion (Catalogue)<\/p>\n \u2248<\/p>\n Deutsche Bank art collection (Zurich) .<\/p>\n 2017 – Art in the Age of the Cloud, 128 pages, Diorama Editions, ISBN 979-1220021982. Distributed by Viceversa<\/p>\n 2009 – “The Fifth Day” Carlo Zanni \/ Bassam El Baroni, 72 Pag. January 2009, \u00e9ditions hors ‘champs, ISBN 2-914164-28-9, soft cover (EN)<\/p>\n 2005 – “VITALOGY, A Study of a Contemporary Presence” published by ICA – Institute of Contemporary Arts , London Distributed by Cornerhouse – ISBN 1900300494<\/p>\n .<\/p>\n 2021, Special mention at the 10th Fabbri Award for contemporary arts.<\/p>\n 2013, Zurich, (SW) 17ZWEI, Deutsche Bank’s art project with Zurich University of the Arts (ZHdK). A public installation.<\/p>\n 2010, CURA Magazine, #5 LAB, Average Shoveler Wallpaper, text by Elena Giulia Rossi<\/p>\n 2009, Vilnius, LT, Art Vilnius 09, Best foreign artist. (Elaine Levy Project, Brussels, )<\/p>\n 2009, Exibart On Paper magazine Cover 2007 – Ahlen, DE, Kunstmuseum Ahlen, “My Temporary Visiting Position From The Sunset Terrace Bar”<\/p>\n 2004, New York, NY, Rhizome.org commission, “Average Shoveler”<\/p>\n 2003\/4, Sch\u00f6ppingen, Germany, Foundation K\u00fcnstlerdorf Sch\u00f6ppingen, “Four Untitled Portraits”.<\/p>\n 2003, Glasgow, Scotland, CCA – Centre for Contemporary Art, “Epic Tales”, Net Art Commission, May 03<\/p>\n 2002, Cabinet Magazine – “Attempt to bet two fiches” Special net project for Cabinet Magazine issue#7 – Failure – July02<\/p>\n .<\/p>\n 2013, Palma, Spain, BYOB (MINI BYOB) at CORREDOR PALMA, a project by Bartomeu Satre with 7 artists.<\/p>\n 2012, Brescia, “Surfing the stars. Artisti online: same time, same place” Internet Point, selected by Chiara-Margherita Mazza<\/p>\n 2012, Milan, Museo Pecci Milano, BYOB Milano curated by Domenico Quaranta<\/p>\n 2012, Brooklyn, NY, RAN Space, Syntetic Zero and {SonikFest} <5.0><\/p>\n 2012, Monteriggioni, IT, ZAK Space, Playlist by elena Abbiatici & Valentina G. Levi<\/p>\n 2012, RAI Tunes, RADIO 2, by Alessio Bertallot<\/p>\n 2007, Milan, adottaunartista.org by Stanislao Di Giugno, Stefania Galegati, Marco Raparelli e Alessando Sarra<\/p>\n 2003, New York, NY, Eyebeam’s sixth annual online forum<\/p>\n 2003, Zanni.org + JU$T ANOTHER RICH KID by Ken Courtney: “I FUCKED ZANNI.ORG” t-shirt project (aka portrait as a fashion label)<\/p>\n 2003, April 03, P2P_.EDU: Peer to Peer Educationals for Art Dealers. Web based workshop dialogue on mailing list.<\/p>\n 2003, New York, NY, Auction The Thing 2002, May 02, P2P_$: Peer to Peer $elling Processes for net_things. Web based workshop dialogue on chat platform.<\/p>\n 2002,03,04, New York, NY, Auction The Thing 1999, New York, NY, “War” Postmasters Gallery, New York<\/p>\n .<\/p>\n ArtFairs<\/strong><\/p>\n 2025, Wien, AT, Vienna Contemporary, banquet gallery<\/p>\n 2025, Bregenz, AT, Stage Bregenz, banquet gallery<\/p>\n 2024, Marseille, FR. ART-O-RAMA Salon Immateriel, banquet gallery<\/p>\n 2010, Rome, IT, ROMA – The Road to Contemporary Art, Galleria Lorcan O’Neill<\/p>\n 2010, Milan, Miart art fair, Galleria Lorcan O’Neill<\/p>\n 2009, Turin, Artissima art fair, Galleria Lorcan O’Neill<\/p>\n 2009, London, UK, FRIEZE art fair, Galleria Lorcan O’Neill<\/p>\n 2009, Vilnius, LT, Art Vilnius 09, Elaine Levy Project (won best foreign artist)<\/p>\n 2009, Bologna, IT, Arte Fiera Art First, Annarumma404 Naples\/Milan<\/p>\n 2007, Milan, IT, MiArt, “In Attesa Di Giudizio” special project show by Milovan Farronato, Francesca Pasini and Michele Robecchi<\/p>\n 2005, Madrid, ES, ARCO art fair, EL PAIS booth, Arte.Red\u00a0 update, by Roberta Bosco and Stefano Caldana<\/p>\n 2004, Turin, IT, ARTISSIMA art fair, Analix Forever<\/p>\n 2003, Turin, IT, ARTISSIMA art fair, Analix Forever<\/p>\n 2003, Madrid, ES, ARCO art fair, Analix Forever<\/p>\n .<\/p>\n 2024 – Barcelona, ES, Talking Galleries, 10th symposium.<\/p>\n 2021 – Milan – ReA! Talks 2021 – Arte e tecnologie: le nuove tendenze<\/p>\n 2021 – Turin – The Phair 2021 – Self Portrait with dog: tra fotografia e new media, Carlo Zanni in conversazione con Luca Panaro<\/p>\n 2018 – Brussels – Art Brussels Talks – \u00ab Ways beyond the post-internet \u00bb<\/p>\n 2017 – Modena, IT – MATA Modena, Arte e New Media, presentazione del catalogo EFFIMERA \u2013 Relazioni disarmoniche.<\/p>\n 2011 – Roma, Opificio Telecom Italia, DIGITALIFE 2 -Arte, New Media e Comunicazione sociale. Evento nato dalla collaborazione tra MAXXI, Place Making e Fondazione Romaeuropa promosso da Filas.<\/p>\n 2004 – New York – PACE University – artists\u2019 talks on the occasion of the opening of the show \u201ceBay \u2013Buy or Sell or Buy.\u201d<\/p>\n .<\/p>\n Library of Artistic Print on Demand Post-Digital Publishing in Times of Platform Capitalism Annette Gilbert\/Andreas B\u00fclhoff, 2025. 720 pp. ISBN: 9783959056977<\/p>\n Monte di Piet\u00e0, Fondazione Prada, Milano 2024. Brossura, pp. 732, ill. 2 Formato: 12,9×17,2 cm. ISBN: 9788887029895<\/p>\n A New Era for the Distribution of Media Art by Stefan Glowacki and Rachel Somers Miles, 2023, 132 pages. LIMA Amsterdam<\/p>\n Videoarte in Italia. Il video rende felici, di Cosetta G. Saba e Valentina Valenti. “La nuova vita delle immagini. Percorsi tra software art e video in Italia” by Valentina Tanni. Treccani, 2022.<\/p>\n Mario Savini, L\u2019arte tra la fine del \u2018900 e l\u2019inizio del XXI secolo. Tracce di un nuovo percorso. Affinit\u00e0 Elettive Edizioni, 2022.<\/p>\n Domenico Quaranta, Surfing con Satoshi. Arte, blockchain e NFT. Postmedia Books, 2021.<\/p>\n Jir Sandel, Art Viewer Ads, 2nd Cannons Publications, 8 x 12.5″ 48 pages<\/p>\n Pau Waelder, You can be a wealthy \/ cash-strapped art collector in the digital age by, 2021, Printer Fault Press<\/p>\n Luca Panaro, La fotografia oltre la ripetizione, 2018, 36 pages, Danilo Montanari, 12×18,5 cm, ISBN 978-88-85449-44-2<\/p>\n Elena Giulia Rossi, Mind the Gap: La vita tra bioarte, arte ecologica e post internet. 2020, Postmedia Books<\/p>\n Valentina Tanni, Memestetica, 2020, 252 pages, Nero Editions,11 x 17 cm, ISBN 978-88-8056-098-2<\/p>\n Luca Panaro, Sotto lo sguardo austero dei giganti, catalogo. 24 pag.<\/p>\n Ducato Prize, Catalogue, 80 pag. 2019<\/p>\n Luca Panaro, DIALOGHI BREVI, 2018, 96 pages, Editrice Quinlan,12×18,5 cm, ISBN 8899390304<\/p>\n Fabio Paris, Refresh 02 #LAYERS, Catalogue 76 pag. ISBN 978-0-244-67179-2<\/p>\n Marialaura Ghidini, Rebekah Modrak, #exstrange: A Curatorial Intervention on Ebay, University of Michigan Press, 2017, 264 pages, ISBN: 978-1607854234<\/p>\n Alessio Chierico, Investigations on the Cultural Economy of Media Art, Digicult Editions, 2017. ISBN: 978-1-291-38203-7<\/p>\n Luca Panaro e Fulvio Chimento, Effimera – Relazioni Disarmoniche, Catalogo 80 pag. ISBN-13: \u200e978-8889109885<\/p>\n Freedom of Space, \u2014 5 Years of Awards for Independent Berlin Project Spaces and initiatives, Argo Books,2016, 192 pages, ISBN: 978-3-942700-77-1<\/p>\n Public computing+Social Computing. A.a.V.v., 2016. Ed. Viaindustriae publishing Luca Panaro, VISITE BREVI, Arte e fotografia in Italia dal 2001 al 2015, 2015, 108 pages, Editrice Quinlan, 12×18,5 cm, ISBN \u00a0978-88-99390-00-6 Beryl Graham, New Collecting: Exhibiting and Audiences after New Media Art, Ashgate Publishing, Ltd., Apr 28, 2014 – Art – 250 pages<\/span><\/p>\n Caterina Albano, Fear and Art in the Contemporary World, Paperback: 240 pages, Publisher: Reaktion Books, ISBN-10: 1780230192, ISBN-13: 978-1780230191<\/span><\/p>\n Nathaniel Stern, Interactive Art and Embodiment: The Implicit Body as Performance. 2013. 304 pag. Gylphi Limited. ISBN-13: \u200e978-1780240091<\/span><\/p>\n Fabiola Naldi, Tell a Vision – Il video tra storia e critica, Collana Libri Aparte, 2012. Codice collana LA16, ISBN 978-88-95059-25-9 Elena Giulia Rossi, Net Archives. MAXXI – Museo nazionale delle arti del XXI secolo. Catalogue<\/span><\/p>\n Vivienne Gaskin, 2005, CARLO ZANNI: PARALLEL WORLDS, Vitalogy Book Valentina Tanni , State of mind, in Working-Insider, show catalogue Working\/Insider, curated by Sergio Risaliti (Florence, 2003)<\/span><\/p>\n Valentina Tanni, Antonella Pisilli, Netizens, 24 pag.<\/p>\n Bennett Simpson, 2001 ZANNI’S UPGRADED ICONS, DreamWeaver, Galleria MariaCilena, Milano – catalogue .<\/p>\n March 2023, Carlo Zanni: e-commerce, identity, and the epic of our times<\/a> by Pau Waelder<\/p>\n January 2023, Augmented Images \u2014 Intervista a Carlo Zanni by Sara Benaglia \/ Mauro Zanchi<\/a><\/p>\n October 2015, Arshake.com<\/p>\n October 2015, Protisedi.cz,\u00a0Carlo Zanni: me_BIG.jpg December 2012, Rhizome.org, The Artist Google Street View Photographed Twice by JOANNE MCNEIL<\/p>\n February 2012, ETC Revue de l’art actuel, On Pay-Per-View Net Art: an Interview with Carlo Zanni, Issue 95,<\/p>\n Febrero-Mayo, 2012, Montr\u00e9al, Canad\u00e1, P\u00e1gs. 45-46 by Pau Waelder.<\/p>\n September 2010, Mentelocale.it,\u00a0Carlo Zanni, artista di internet by Gabriele Cazzulini\u00a0(WEB, IT)<\/p>\n April 2010,Gamescenes.org, Interview: Carlo Zanni’s “Average Shoeveler” by Mathias Jansson (WEB)<\/p>\n December 2009, Inside Art magazine. Anno 6, #60, Un Mondo A Due Velocit\u00e0 by Alessia Cervio (IT)<\/p>\n March 2008, Digicult Magazine #32,\u00a0CARLO ZANNI: L’INFORMAZIONE E’ IL NUOVO COLORE Interview by Giulia Simi\u00a0(WEB)<\/p>\n January 2008, Extrart Magazine #33, Interview by Mario Savini<\/p>\n March 2007, Contemporary Magazine #91, Interview by Noah Stolz July<\/p>\n 2006, Interview by Eli Milchman appeared on July 13th on Wired.com (WEB)<\/p>\n June 2006,\u00a0Interview by C.J.Yeh appeared on October 2006 on Journal Of National Taiwan Museum Of Fine Arts #66 Oct. 2006<\/p>\n June 2005, “I simply call it art ” Interview with Carlo Zanni by Kristine Ploug for Artificial.dk (WEB)<\/p>\n January 2004, NetArt en Valise, by Domenico Quaranta, Exibart 30 – 01- 2004 \/ Exibart on Paper #13<\/p>\n March 2003, interview by Anna Yudina for Monitor Magazine #17 + cover<\/p>\n October 2002, QUIZ, 10 questions by Sara Tucker, the director of the Web Department at Dia Center New York, for the magazine of the Modern Art Museum in Luxembourg (WEB)<\/p>\n October 2002, An interview with Carlo Zanni by Anne-Marie Boisvert, Curator of the Web Art Section of the Biennale de Montr\u00e9al 2002 (WEB)<\/p>\n November 2001, interview w\/ Carlo Zanni for Michele Thursz Dialogue by Claire Barliant (WEB)<\/p>\n April 2001, a 100% no Flash INTERVIEW by Valentina Tanni (WEB).<\/p>\n .<\/p>\n December 2021, CCCB Barcelona, Why We Keep Talking About NFTs<\/a> by Pau Waelder<\/p>\n July\u00a02015, ETC magazine #105, Data Cinema by Pau Waelder<\/p>\n April 13 2014, UOC.edu Arte Y Cultura Digital,\u00a0Carlo Zanni: Oroboro o c\u00f3mo romper el c\u00edrculo vicioso del mercado del arte<\/a>\u00a0by Pau Waelder<\/p>\n March 2014, EL PAIS: “Trotamundos digitales<\/a>” by Roberta Bosco y Stefano Caldana<\/p>\nCV<\/strong><\/h1>\n
Solo Exhibitions<\/strong><\/h2>\n
\n<\/strong>Milan, IT, banquet Gallery, DAN
\n
\n2023
\n<\/strong>Milan, IT, OPR Gallery, Accept & Decline
\n
\n2022<\/strong>
\nMilan, IT, OPR Gallery, Cookie Portrait (online)
\n
\n2018
\n<\/strong><\/strong>Link Cabinet, (online) Boil the ocean. Cook the books. Eat your own dog food. Curated by Matteo Cremonesi.
\n
\n2016
\n<\/strong>Modena, IT, MATA, Effimera Disharmonic Relations. With\u00a0Eva And Franco Mattes\u00a0and\u00a0Diego Zuelli. Curated By Fulvio Chimento And Luca Panaro.<\/p>\n
\n<\/strong><\/p>\n
\n<\/strong>Rome, Zurich, Berlin, Warsaw, Prague, Bratislava, Budapest, Wien, Contain[ERA] project<\/p>\n
\n<\/strong>La Spezia, IT, CAMeC museum, The KIZG+ Of<\/p>\n
\n<\/strong>Zurich, (SW) 17ZWEI, Deutsche Bank’s art project with Zurich University of the Arts (ZHdK). A public installation<\/p>\n
\n<\/strong>Palma De Mallorca (ES), SKL Gallery<\/p>\n
\n<\/strong>Milano, IT, Mars\u00e8lleria, Flying False Colors<\/p>\n
\n<\/strong>Paris, FR, NewArtProject by Lara Pan, Carlo Zanni<\/p>\n
\n<\/strong>Alexandria, Eg, ACAF – Alexandria Contemporary Arts Forum, “No Shape Stays Innocent: Two Films by Carlo Zanni” by Bassam El-Baroni<\/p>\n
\n<\/strong>London, UK, ICA – Institute of Contemporary Arts – Carlo Zanni: A Retrospective (Catalogue)
\n
\n2003
\n<\/strong>Glasgow, Scotland, CCA – Centre for Contemporary Art, “Epic Tales”, Net Art Commission
\n
\n2001
\n<\/strong>Milan, IT, Galleria Maria Cilena, Dreamweaver. Text By Bennett Simpson<\/p>\nGroup\u00a0Exhibitions<\/strong><\/h2>\n
\n<\/strong>Tarragona, Spain. Machine Cinema 2. M\u00e8dol Centre d’arts Contempor\u00e0nies de Tarragona. Curated by Pau Waelder for Niio.
\n
\n2025
\n<\/strong>Chateau de Monsoreau Museum of Contemporary art. The Mirror Effect – Homage to 60 years of Art and Language,\u00a0Curated by Lara Pan
\n
\n2021
\n<\/strong>Pieve di Soligo, IT, 10th Fabbri Award* for contemporary arts, curated by Carlo Sala (*won special mention)<\/p>\n
\n<\/strong><\/strong>Venice, Tu Vs. Everybody. Organized by Villam. Collateral event 58th Venice Biennale.<\/p>\n
\nPalma, Casal Solleric, All Changes Saved, curated by Pau Waelder<\/p>\n
\nVenice, Borders Pavilion, Curated by Raul Zamudio at the Research Pavilion
\n
\n<\/strong>eBay,\u00a0#exstrange, curated by Marialaura Ghidini and Rebekah Modrak
\n
\n<\/strong>Amposta, ES, Lo Pati, Real Time, Art en temps real curated by Pau Waelder<\/p>\n
\n<\/strong>Iksan City, Korea, W Museum, Breaking News curated by Elena Abbiatici<\/p>\n
\n<\/strong>Cairo, Eg, Something Else, OFF Biennale 2015. Darb 1718 Art Center. Invited by Valentina G. Levy
\n
\nOslo, NO, Atelier Nord ANX, PV5 Tour<\/span><\/strong><\/span><\/p>\n
\n<\/strong>Bangalore, India, Croma store Indiranagar, The C(h)roma Show, organized by Marialaura Ghidini and Tara Kelton.<\/p>\n
\n<\/strong>Los Angeles, US, Youngprojects Gallery, The Zero To One Hundred Pop-Up<\/p>\n
\nBuenos Aires, AR, MAMBA Museo de Arte Moderno, Video Arte Italiano 2004-2012, Curated by Micol di Veroli, Giovanna Sarno y Massimo Scaringella<\/p>\n
\nVenice, IT, ITALIANS DO IT BETTER!! Curated by: Matteo Bittanti and Domenico Quaranta For: Neoludica. Art Is A Game 2011 \u2013 1966 54. Esposizione Internazionale d’Arte \u2013 la Biennale di Venezia, Collateral Events<\/p>\n
\n<\/strong>Catanzaro, IT, MARCA Museum, “Community: la ritualit\u00e0 collettiva prima e dopo il web” curated by Alberto Fiz and Luca Panaro<\/p>\n
\nRijeka, Croatia, Biennale Quadrilaterale, Museum of Modern and Contemporary Art<\/p>\n
\nRome, IT, Nuovo Cinema Aquila, Italian Experimental Cinema curated by Piero Pala (Catalogue)<\/p>\n
\nHaifa, IL, Haifa Museum of Art, ComputerFineArts Collection<\/p>\n
\nNew York, NY, Rhizome.org (New Museum’s new-media affiliate), “DIY or DIE” Rhizome’s 10th Anniversary<\/p>\n
\nNew York, NY, The New Museum of Contemporary Art, Rhizome.org Commissions, “Average Shoveler”<\/p>\n
\nNew York, NY, Chelsea Museum, The Passage of Mirage, curated by Christiane Paul (Adjunct Curator of New Media Arts, Whitney Museum) and Zhang Ga (Parsons School of Design)<\/p>\n
\nNew York, NY, Participant Inc. & Deitch Projects, La Superette organized by ignivomous.org Geneva,<\/p>\n
\nRome, Italy, Sala1 Art Center in collaboration with Mediateca MACRO, Museum of Contemporary Art Rome, Netizens, curated by Valentina Tanni, \u00a0(Catalogue)<\/p>\n
\nNew York, NY, P.S.1 \/ MoMA – B-Hotel by Alanna Heiss, Klaus Biesenbach and Daniel Marzona<\/p>\n<\/h2>\n
Collections<\/strong><\/h2>\n
\nAngela and Massimo Lauro, il Giardino dei Lauri, Citt\u00e0 della Pieve (PG)
\nAdriana Cisneros de Griffin, New York KunstMuseum Ahlen, Germany<\/p>\nBooks<\/strong><\/h2>\n
Commissions and Awards<\/strong><\/h2>\n
<\/h2>\n
Events and Projects<\/strong><\/h2>\n
<\/h2>\n
Talks<\/strong><\/h2>\n
<\/h2>\n
Catalogues and Books<\/strong><\/h2>\n
\ndue volumi\/two volumes, bn\/bw, 96 pp, en, 21\u00d714,5 cm – ISBN 978-88-97753-10-0<\/p>\n
\n
Luca Panaro, Generazione Critica #2, AA. VV. La fotografia in Europa dopo le grandi scuole,16\u00d722 cm \/ 64 pages \/ paperback \/ 2015, ISBN 978-88-98120-62-8
\n<\/span>
Carlo Zanni, Laura Barreca, OROBORO, artist book, 2014. Published by Mars\u00e8lleria Permament Exhibition
\n<\/span>
Luca Panaro, Casualit\u00e0 e Controllo – Fotografia, video e web. Postmedia books 2014, 54 pp. –25 illustrazioni, isbn 9788874901128<\/span><\/p>\n
\n<\/span>
Domenico Quaranta, Matteo Bittanti, Luca Traini and AAVV, Arte e Videogames, Neoludica 2011 – 196, SKIRA Isbn: 8857211633
\n<\/span>
Valentina Tanni, Random, LINK Editions, Brescia 2011. Copertina morbida, 114 pagine, italiano \/ inglese, \u20ac 12.00, ISBN: 978-1-4477-1182-7
\n<\/span>
Exitimitat, Art, intimitat i tecnologia, by Pau Waelder, texts by Pau Alsina, Francesc N\u00fa\u00f1ez, Pau Waelder, 2011, 183 p, ISBN \/ 9788493805548
\n<\/span>
Community. La ritualit\u00e0 collettiva prima e dopo il web by Alberto Fiz, Luca Panaro, ELECTA 2010, ISBN \/ 978883708471
\n<\/span>
Owning Online Art \u2013 Selling and Collecting Netbased Artworks, Paperback, 168 pages, BUY
\n<\/span>
Flying False Clors, The Sixth Day, poster with text by Lyra Kilston, September 2009 (done for the solo show at the Chelsea Art Museum in NY and Mars\u00e8lleria Permanent Exhibition, Milan)
\n<\/span>
Carlo Zanni \/ Bassam El Baroni, The Fifth Day, 72 Pag. January 2009, \u00e9ditions hors ‘champs, ISBN 2-914164-28-9, soft cover (EN)
\n<\/span>
Raffele Gavarro and Chiara Nicolini, “Zoom – Inside The Human Space” 126 Pag. September 2008
\n<\/span>
Domenico Quaranta, Yves Bernard (a cura di), Holy Fire. Art of the Digital Age, April 2008. FPEditions, Brescia 2008, pp. 126, \u20ac 25.00, ISBN 978-88-903308-4-1. Hardcover, (EN -FR)
\n<\/span>
Matthew G. Kirschenbaum, “MECHANISMS: New Media and the Forensic Imagination, 296 pages, MIT Press, ISBN 0262113112, 9780262113113 (EN)
\n<\/span>
Matthias Wei\u00df, November 2007, “Knotenpunkte” (“Nodes”): seven artists at seven different museums. (EN-DE)
\n<\/span>
Pau Waelder Laso, October 2007, MetaPaisatges (MetaLandscapes) Pilar and Joan Mir\u00f3 Foundation, Palma de Mallorca, Spain, 96pag. (EN-ES)
\n<\/span>
Paolo Colombo \/ Elena Giulia Rossi, March 2007, Apocalittici e Integrati, Utopia nell’Arte Italiana di Oggi” MAXXI, Museo delle Arti del XXI Secolo, ELECTA Operadarc, pag. 110-111, ISBN 978883705203 (IT)
\n<\/span>
MiArt 2007, Skira Editore, “In Attesa Di Giudizio” Pag.32-33
\n<\/span>
Michele Thursz, January 2007, Thread, Wood Street Galleries, Pittsburgh, PA – Catalogue<\/span><\/p>\n
\n<\/span>
Workart in Progress (Gal Civica Trento), #12 March 2005, “For an artistic critic on the economy” by Marco Senaldi, pag. 43 (IT EN)
\n<\/span>
Christiane Paul, The Passage of Mirage, 2004 Chelsea Art Museum The Project Room
\n<\/span>
INTERNET ART, book by Rachel Greene, May 2004, published by Thames & Hudson (World of Art) pag. 118-119 (EN)
\n<\/span>
Enciclopedia Dell’Arte Zanichelli, a cura di Edigeo, 2004, pag 1204
\n<\/span>
Michele Thursz, September 2003 “COPY IT, STEAL IT, SHARE IT ” Istanbul, Borusan Art Center – Catalogue
\n<\/span>
Francis McKee, June 2003, Epic Tales, CCA Glasgow net commission (WEB)<\/span><\/p>\n
\n<\/span>
Tirana Biennial, Catalogue, Giancarlo Politi Edit. – pag.481\/483 October 2001 (EN).<\/span><\/p>\n<\/h2>\n
Selected Interviews<\/strong><\/h2>\n
\n<\/span>
\nApril 2014 ATP Diary,\u00a0Interview with Laura Barreca\u00a0<\/a> Dec 2013 – Arshake.com\u00a0\u00a0Interview \u00a0by Elena Giulia Rossi\u00a0ITA ENG<\/a><\/p>\n<\/h2>\n
Selected Press<\/strong><\/h2>\n